Drawn Together
A blog following the progress of my third year Animated short, Drawn Together
Friday, 7 January 2011
The Setting - Cafe
I had previously done some sketches and other designs for my cafe and so I had a layout and colour scheme in mind. I took these designs and began to model the different parts of the scene, first the table, chairs and mugs that are places throughout the scene.
I then modelled a sofa to add some variation to the seating and added lamps along the walls and skirting boards along the floors to break up the room a bit and added things such as canvases and pictures to add some detail to the cafe.
Taking the models in my cafe, I started to make UV maps of each of them. Once I had all of these ready, I made textures in Photoshop, trying to make everything as detailed as I possibly could. Some of the textures I made bump and/or specular maps for depending on the needs of the model.
Once I had them all ready to apply I put them on to the models and did quite a lot of test renders with very basic lighting and by changing values and the textures themselves, tried to get as many different effects as I could get.
Wednesday, 15 December 2010
Waitress - Adding some texture
Once the modelling of the face was how I wanted it, I decicded to start texturing it. I unrwrapped the model, rendered a UV map and brought the image into Photoshop and started creating some textures for the skin.
Initially, I painted on a layer separate to the map render with pink and peach coloured skin tones blended into each other. I quickly realised once I had applied it to the models that the lack of detail, i.e. skin tone variation, freckles etc. So I scrapped the idea and decided to take a new apporoach; using photographs to maintain the realism of my characters.
I took some photos from the internet of the actress Felicia Day (who I based the character on in the first place) and used her skin; copied, pasted, clone stamped and blended with painted sections to make a map that looked much more real. This one, much better than the previous, still looked a little flat and somewhat dull so I decided to make both a bump and specular map using the original UV mapped texture as a basis. This added so much to the character and so I used this same effect when texturing the eyes.
I then started on her hair. This was changed many times over as I hadn't decided on a style to have her hair, but eventually I decided on pulling it back in a loose ribbon, modelled and textured separately from the hair.
I now need to texture the hair and the entire head will be finished but as I have finished a huge section of this character I have decided to next move on to the environment.
Tuesday, 7 December 2010
Animatic
Thursday, 2 December 2010
Modelling and Music
I spoke the student who is doing my music and she has some really good ideas for it.
As I mentioned before she wanted to use both cello and piano music but she hadn't explained why and when I asked how it was going yesterday she told me that her idea was to use the cello with its lower sound to represent the male character and the higher piano music to represent the female.
This will work perfectly as the two will be separate throughout and when they're finally brought together, so will the two instruments, symbolising this perfectly.
Another thing I've been working on recently too is modelling the Waitress character I will be using. I've taught myself as much modelling as I can with tutorials and am quite happy with how it looks so far. I will be modelling the hair and rest of the body soon and texturing them too.
This is the character so far and what I have modelled of the body and I will upload more pictures as I make more progress:
Monday, 29 November 2010
The Story
Sitting alone at a table in the most typical of coffee shops in the most ordinary town was a man. This man waited for nothing but knew something would eventually turn up, not for him but for someone else. Everywhere stood elements of the classic Italian coffee house; canvases with picturesque little shops with old Italian men buying their daily espresso, beautiful young women riding Vespas down the winding cobble-stone streets of Rome or Milan. All in black and white of course, it wouldn’t look nostalgic in the normal vivid colours of these places, despite the fact most of the customers were business men and women driving through or the locals who had never left the country. Contemporary glass ornaments sat in shelving units, filled with coffee beans that gave off such a rich aroma he could not help but take a moment to enjoy it. The deep brown wooden chairs and tables, along with the soft oversized armchairs that sunk almost to the floor when even the lightest person sat on them, gave the place a warm welcome feel. The clean, shining coffee maker resembled something you would find in a diner of the nineteen-fifties and although it should have seemed out of place it only added to the character of this quaint little coffee shop. Despite all the manufactured elements that made up this wonderful place, a place he could have stayed all day, there was one thing that caused not a break but a minor crack in the illusion. The coffee. Ever since his first visit to Italy, quite a few years back now, a cup of freshly brewed coffee never tasted quite the same. He was quite the connoisseur when it came to good coffee and had always found there was no better bean than the Columbian, straight from the plant and made as fresh as any coffee could be. Nonetheless, this cup of coffee was absolutely fine. It was the best in this part of the world in fact and so he found any chance to work in the area. Working was what he was doing today, but as it often was, work was scarce so he did what he always did, waited. He often got compliments from the women he met and twice already had been approached by women, both beautiful, who wanted his phone number. He had politely declined. They were attracted to his boyish good looks that while young-looking were also chiselled. He had long brown hair that he brushed to one side. The words most people described him as were “classically handsome” which had always made him laugh.
Once he had finished his first coffee, he placed the cup back to the saucer gently and called over the waitress. Long red hair tied back into a ponytail and a black blouse and trousers with a green apron tied around her waist, she looked stunning. In fact, maybe stunning wasn’t quite the word he would use. She was beautiful indeed but there was something about her that made her invisible to most men who visited the coffee shop. She would spend every day exchanging pleasantries with her customers and always get a nice amount of tips, but never for her beauty. This had led to a shyness developing within the girl that was all the more endearing to him and clearly to the man sitting across from him. As she walked over to him, she smiled sweetly and took his empty cup away with her, quickly returning with another hot coffee. All the while, the man across from him followed her with his eyes, love-struck and completely enchanted. Her pale flawless skin glowed in the soft lights of the coffee shop that seemed to reflect and bounce so perfectly off the countertops. He knew very little of her other then she worked incredibly hard and on her breaks sat at a table in the corner of the cafe studying.
Rooting through the inside pocket of the coat placed across the back of his chair, he took out a black book, around the same size as the average novel. It was leather bound and held closed with a piece of well-worn elastic, a piece of ribbon sticking out of the bottom of its pages, keeping his place. He took a pencil from the same pocket and, stretching the elastic over the book he began drawing the man that sat across from him. This man, so infatuated, was the perfect subject. In the twenty minutes or so that he was drawing the man he moved only to try to catch the gaze of the young waitress. It was done. Both pride and happiness escaped the man in the form of a small grin and once he had finished up some last bits of detail, he signed the drawing.
Moving his attention over the waitress, the artist turned the page and began drawing her too. She stood there cleaning the counter, completely unaware of her surroundings. Some of her hair fell across her face and as she ran her hand through her hair to tuck it behind her ear, he knew this was the perfect pose to capture her in. Cute and airy yet motivated. He sketched her head, then down her body and as he finished the drawing something changed in her body language. She was suddenly more aware of her surrounding but did not shift her gaze from the counter. Then, taking the pencil he signed the drawing as he had done with the other and as the pencil left the page in that spilt moment so did her gaze leave the counter. She looked directly at her admirer and a long, meaningful stare began between them. She smiled. He smiled. And as quickly as it had begun it stopped and she knelt to get something from behind the counter. The admirer was utterly disheartened and decided to give up on her, for today at least. He dropped a generous tip on the saucer in front of him and reached under the table for his bag, and leaning so far over he looked up. She was stood ahead of him, he could only see her legs but he knew it was her. As he lifted himself up from beneath the table he saw her holding a fresh cup of coffee and smiling at him. His face lit up and so did the artist’s. His job was done. And with that he stood up, placing the book back in his coat pocket and left the cafe, the happy couple behind him finally introducing themselves.
When the artist arrived home, before anything else he took the sketchbook from his pocket and made his way to the desk. Above this desk was a blank spot on the wall almost the perfect size for these drawings. Tearing them out of the book carefully, he placed them side by side on the wall with tacks. Looking at the pictures of these two people he smiled and his eyes wandered to the other drawings covering his wall. Couple after couple, some drawings barely held together for the age of the paper with the people on them sporting hairstyles and wearing clothes not seen for many years. Each a happy couple and each one of his happy couples.
Friday, 26 November 2010
Music (continued..)
After talking about some options for instruments to use in it, she had the idea that cellos, violins and piano music was the best idea to acheive the sound I was going for and I have now sent her a lot more information along with an animatic that explains the pace a lot better than the storyboards alone.
The ideas that she suggested were to either do a full piece of music with changing tempos and volumes depending on the scene. The other idea was to do a few different pieces that represented the atmosphere of each specific scene. Both these ideas sounded equally interesting so she said she'd try both, which is great and really opens up my options.
I think things on the music side of my project are finally falling into place so I'll be focusing more on the character modelling from now on and do some texturing and animation tests, focusing on the colour a lot with the textures and the making sure the animations are fluid.
Monday, 22 November 2010
Music
Through contacting people in the sound department I was able to find a Masters student in Sound Design who wanted to help me. I will be meeting her on Friday and so I have been doing some research into the sorts of music that would be best.
Ideally I'd like to use a piece of piano music as I think that conveys the calm tone that I want to set while also allowing for the build up to big moments and bringing it back down to a quiet background sound. The constant building up to the moments where the two characters fall in love is the main aspect I will ask her to focus on as the pace will be incredibly important.
The main example i've found really useful for comparison is the music for the French film Amelie. Yann Tiersen, the composer of the soundtrack has a style that would really work in my story but the main thing I noticed is his music is recognized by its use of a large variety of instruments. This means that it may be difficult to get a piece composed with so many instruments. But I will ask the student if it's possible to do this and if so, it will add layer upon layer of atmosphere to my work and help massively with establishing a good pace.
Soon I will update the progress of the music and add it to the hand-drawn storboard animatic I'm almost finished compiling to see how it affects it.